You can also find the filter via the live filters in the layers menu. You have to check on/off to see if it’s the right one. The lens blur filter for Affinity Photo can be found in the blur category of the blur menu in Affinity Photo. The extra time you spend looking for the right layer in Affinity Photo® adds up and it gets annoying when you simply can’t spot the right one easily when they all look the same. Normaly you apply the depth map in Photoshop in the lens blur filter so you can add real depth of field. This is a workaround to save a lot of rendering time. In concept it is cool that the layer mask is incorporated into the adjustment layers in Affinity Photo® but it also makes it very difficult to differentiate a simple mask from an adjustment layer at a glance. When rendering an image in 3d software (Modo in my case) you can render a depth map instead of adding dof in the 3d software. Even the folders look the same as the layers inside! This can get very confusing, specially when working with complex photo composites made out of dozens of layers and layer groups. I’m talking about the fact that all layers look the same on Affinity. ![]() But I do mind how visually homogenous it is. Using lens Blur on selected areas of your portraits or images is an excellent way of emphasising the important parts of your images. ![]() ![]() I don’t mind Affinity’s “check” icons on the right side of the panel for showing or hiding layers just like the “eye” icons on Photoshop’s left side. Not only because it makes more sense to me but also for technical reasons about the interface of this panel. On this subject specifically I have to say I prefer Photoshop’s stacking system better.
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